It was the first Rush recording for which Lee used his 1972 Fender Jazz Bass, which provided a punchier lower end than he had been able to obtain with his usual Rickenbacker 4001. Songs Side one Ĥ time signature, along with instrumental and closing sections in 7Ĩ. The album was finished three days behind schedule due to delays caused by equipment failure. Peart is seen wearing the microphone in the music video for "Vital Signs". The audio captured from it was used to pick up the ambience in the studio room and inserted into the final mix. They experimented with a pressure zone microphone, a type of boundary microphone that picks up direct sound and no reverberated signals, that was taped onto Peart's chest as he played the drums. Rush wanted to preserve the quality of their recordings as much as possible by transferring finished sections onto a fresh piece of tape and placing the original copy in storage, thereby reducing potential damage to the tape from frequent playback. The album was Brown's first digitally-produced album. The studio was fitted out with a digital 48-track machine, which was unfamiliar to the band and necessitated them spending time familiarising with the equipment. Moving Pictures was recorded at Le Studio in Morin-Heights, Quebec in October and November 1980. The tracks were refined even further during subsequent rehearsals for a series of warm-up shows across the US in September and October 1980, during which "Tom Sawyer" and "Limelight" were performed live for the first time. Following these sessions, Rush returned to Phase One Studios with their longtime co-producer Terry Brown and prepared demos of these songs. Lee noticed a change in Peart's lyrics during this time, which had started with Permanent Waves, towards more concise and direct words. The sessions were productive "The Camera Eye" was the first song to be worked on which was quickly followed by "Tom Sawyer", " Red Barchetta", the instrumental " YYZ", and " Limelight". The band retreated to Stony Lake, Ontario to write and arrange new material. During the sessions their lyricist Pye Dubois suggested a song that he thought was suitable for Rush this was developed into " Tom Sawyer", the opening track on Moving Pictures. Prior to starting on the album, Rush joined fellow Canadian rock band Max Webster to play on "Battle Scar", a track for their album Universal Juveniles (1980). Lifeson looked back on this change of plan as the most important one in the band's history since the decision to record 2112 (1976), which became their breakthrough hit. The trio pitched the idea to their manager and producer, who had already mapped out a two-year plan for them, but agreed to the change and cancelled the schedule. Geddy Lee and Alex Lifeson caught on to his enthusiasm. Cliff Burnstein of Mercury Records suggested the idea to the band, and Neil Peart was particularly enthusiastic about the new ideas that were being developed at sound checks and was keen to put them to tape. During their stop in New York City a month prior, the band decided to scrap plans for a second live album in favor of making a new one in the studio. The tour was a commercial success for the group, becoming the first of their career to earn them a profit. In June 1980, the band ended their 10-month tour of the United States, Canada and the United Kingdom in support of their previous album, Permanent Waves (1980). Rush supported the album on tour from February to July 1981. " Limelight", " Tom Sawyer" and " Vital Signs" were released as singles across 1981, and the instrumental " YYZ" was nominated for a Grammy Award for Best Rock Instrumental Performance. It remains Rush's highest-selling album in the United States, with 5 million copies sold. Moving Pictures received a positive reception from contemporary and retrospective music critics and became an instant commercial success, reaching number one in Canada and number 3 in both the United States and the United Kingdom. They continued to write songs with a more radio-friendly sound, featuring tighter and shorter song structures compared with their earlier albums. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with longtime co-producer Terry Brown. Moving Pictures is the eighth studio album by Canadian rock band Rush, released on Februby Anthem Records.
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